Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz made "Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto" available on April 5, 2024. Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz's "Instrumental Theatre of Affects" album is number 11 out of 22. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto by Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Sonata No. 1 in D Minor, C. 90 "The Annunciation": Praeludium - Aria and Variations - Finale | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz | D♭ Minor | 1 | 12A | 65 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Theodora, HWV 68, Overture: Grave - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 2 | 10B | 105 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto grosso in C Major, op. 8, No. 1 (Ed. G. Sechi): III. Allegro ma non presto - Adagio | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | E♭ Major | 4 | 5B | 129 BPM | ||
Concerto in D Major, TWV 51: D7: III. Grave | Georg Philipp Telemann, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | D Major | 2 | 10B | 103 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Viola da Gamba Sonata in G Minor, Wq. 88: II. Larghetto | Carl Philipp Emanuel Bach, Karel Špelina, Josef Hala, František Sláma | A♭ Major | 1 | 4B | 142 BPM | ||
Concerto in D Major, Op. 4, No. 7: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 2 | 12B | 97 BPM |