Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit's 'Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto' had a release date set for March 22, 2024. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 21 in C.P.E. Bach: Symphonies - From Berlin to Hamburg by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: III. Allegro | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto in E Minor for strings and basso continuo, RV 134: Concerto in E Minor for strings and basso continuo, RV 134: I. Allegro | Antonio Vivaldi, Xenia Löffler, Akademie für Alte Musik Berlin, Georg Kallweit | E♭ Minor | 2 | 2A | 117 BPM | ||
Sonata in A Minor for Violin and Continuo, Op. 1 No. 6: V. Allegro | Jean-Joseph Cassanéa De Mondonville, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Fortuna, du scherzest mit mir | Philipp Heinrich Erlebach, Akademie für Alte Musik Berlin, Annette Dasch | F♯ Major | 2 | 2B | 67 BPM | ||
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Sonata in E Major, Kk. 162 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM |