"Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei" by Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1985. Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 14 out of 27 in Bach, J.S.: Mass In B Minor BWV 232 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei by Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers of 1610: Duo Seraphim | Claudio Monteverdi, Mark Dobell, Jeremy Budd, Ben Davies, Harry Christophers, The Sixteen | D Minor | 1 | 7A | 66 BPM | ||
St. John Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 2 | 1A | 106 BPM | ||
Requiem, Op. 48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 0 | 7A | 99 BPM | ||
Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria "Vergnügte Ruh! beliebte Seelenlust!" | Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe | A♭ Major | 1 | 4B | 107 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Mass in C Minor, K. 427: Mass in C Minor, K. 427: I. Kyrie eleison | Wolfgang Amadeus Mozart, Chœurs du Collegium Vocale et de La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe, Christiane Oelze, La Chapelle Royale | C Minor | 1 | 5A | 100 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Brandenburg Concerto No. 3 In G Major, BWV 1048: II. Cadenza | Cologne Chamber Orchestra, Johann Sebastian Bach | A Minor | 2 | 8A | 89 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: I. Solo "Eternal source of light divine" | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 1 | 3B | 85 BPM |