"Vespers of 1610: Duo Seraphim" by Claudio Monteverdi, Mark Dobell, Jeremy Budd, Ben Davies, Harry Christophers, The Sixteen was released on September 29, 2014. Vespers of 1610: Duo Seraphim is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 7 out of 37. On top of that, United Kingdom appears to be the country where this track was created. Vespers of 1610: Duo Seraphim is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers of 1610: Duo Seraphim by Claudio Monteverdi, Mark Dobell, Jeremy Budd, Ben Davies, Harry Christophers, The Sixteen to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
April is in My Mistress’ Face | Thomas Morley, The Sixteen, Harry Christophers | F Minor | 1 | 4A | 132 BPM | ||
Lettera amorosa a voce sola in genero rappresentativo e si canta senza battuta (Settimo Libro) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | D Minor | 0 | 7A | 69 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Super flumina Babylonis | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | G Minor | 1 | 6A | 83 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Górecki: Totus Tuus Op.60 | Henryk Górecki, The Sixteen, Harry Christophers | E♭ Major | 0 | 5B | 135 BPM | ||
Messe en mi mineur: Messe en mi mineur: Kyrie. Feierlich | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | E Minor | 0 | 9A | 74 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Byrd: Mass for Five Voices - 01. Kyrie | William Byrd, Peter Phillips, The Tallis Scholars | D♭ Major | 2 | 3B | 84 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hexapsalms: Glory to God on high | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 71 BPM |