Giacomo Puccini, Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra's 'Puccini: Il tabarro: "Segui il mio esempio - bevi!" (Il Tinca, Giorgetta, Il Talpa, La Frugola)' came out on February 1, 1999. With Puccini: Il tabarro: "Segui il mio esempio - bevi!" (Il Tinca, Giorgetta, Il Talpa, La Frugola) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 58 in the song's album "Puccini: Il trittico". In this album, this song's track order is #8. Puccini: Il tabarro: "Segui il mio esempio - bevi!" (Il Tinca, Giorgetta, Il Talpa, La Frugola) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: Il tabarro: "Segui il mio esempio - bevi!" (Il Tinca, Giorgetta, Il Talpa, La Frugola) by Giacomo Puccini, Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La rondine, Act 1: "T'amo! Mentil" (Prunier, Lisette) | Giacomo Puccini, Inva Mula-Tchako/William Matteuzzi/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Ariadne auf Naxos, Op. 60: Großmächtige Prinzessin | Richard Strauss, Ilse Hollweg, Erna Gal, London Symphony Orchestra, Josef Krips | E Major | 2 | 12B | 77 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM | ||
I Puritani / Act 1: Dov'è Arturo? | Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, Gian Carlo Luccardi, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | F Major | 2 | 7B | 88 BPM | ||
Le nozze di Figaro, K. 492: Deh vieni, non tardar (Susanna) | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | D Minor | 1 | 7A | 165 BPM | ||
Turandot / Act 2: O China, che or sussulti (Ping, Pong, Pang) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 117 BPM | ||
Andrea Chénier / Act 3: "Son la vecchia Madelon ... Amici ancor cantiam" | Umberto Giordano, Christa Ludwig, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | G Major | 1 | 9B | 114 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | A Major | 4 | 11B | 113 BPM | ||
Il barbiere di Siviglia / Act 2: "Ma vedi il mio destino!" - "Pace e gioia sia con voi" - "Insomma, mio Signore" (Bartolo / Conte, Bartolo / Bartolo, Conte, Rosina) | Gioachino Rossini, Teresa Berganza, Luigi Alva, Enzo Dara, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | B♭ Major | 2 | 6B | 111 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: Preludio - "Percorrete le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | B♭ Major | 2 | 6B | 113 BPM |