"I Puritani / Act 1: Dov'è Arturo?" by Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, Gian Carlo Luccardi, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge had its release date on January 1, 1975. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 26 in Bellini: I Puritani by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge. I Puritani / Act 1: Dov'è Arturo? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Puritani / Act 1: Dov'è Arturo? by Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, Gian Carlo Luccardi, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon: "En fermant les yeux" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 1 | 10B | 82 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Tosca / Act I: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 136 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Manon Lescaut: Act II: Intermezzo | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM |