"Spring Cantata, Op.20" by Sergei Rachmaninoff, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra, Rodion Pogassov was released on October 20, 2017. Spring Cantata, Op.20 appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "The Rite of Spring". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Spring Cantata, Op.20 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spring Cantata, Op.20 by Sergei Rachmaninoff, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra, Rodion Pogassov having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Stabat mater: III. Vidit Jesum In Tormentis | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Ian Tracey, Royal Liverpool Philharmonic Chorus, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 3 | 8B | 85 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D♭ Major | 2 | 3B | 92 BPM | ||
4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | D Minor | 0 | 7A | 90 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 76 BPM | ||
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM |