"Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. With this song being about 5 minutes long, at 4:45, "Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 3 out of 35. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Vivace (lively and fast) because the track has a tempo of 165 テンポ, a half-time of 82テンポ, and a double-time of 330 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Dido and Aeneas / Act I: "Ah! Belinda, I Am Press'd" ... "When Monarchs Unite, How Happy" | Henry Purcell, The English Concert, Trevor Pinnock, Anne Sofie von Otter, Lynne Dawson, The English Concert Choir | B Minor | 0 | 10A | 75 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Messe de minuit pour Noel, H. 9: Credo | Marc-Antoine Charpentier, Jane Archibald, Michele de Boer, Anne L'Esperance, Marion Newman, Nancy Reynolds, Colin Ainsworth, James McLennan, David Nortman, Giles Tomkins, Estaban Cambre, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 81 BPM | ||
Pergolesi: Stabat Mater: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 103 BPM | ||
Atys, Acte IV, Scène 4: "Qu'il sait peu son malheur" (Atys) | Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie | B Minor | 1 | 10A | 104 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM |