Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut's 'Carmen Ballet Suite (after Bizet): X. Torero and Carmen' came out on October 3, 2016. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Shchedrin: Carmen Suite & Respighi: La Boutique fantasque". In this album, this song's track order is #10. In terms of popularity, Carmen Ballet Suite (after Bizet): X. Torero and Carmen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Ballet Suite (after Bizet): X. Torero and Carmen by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 95 BPM | ||
Nocturne No. 11 in G Minor, Op. 37 | Frédéric Chopin, Dubravka Tomšič | E♭ Major | 1 | 5B | 127 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Carmen Suite after Bizet's Opera: 3. First Intermezzo | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | A Minor | 1 | 8A | 150 BPM | ||
Cherubini: Medea: Overture | Luigi Cherubini, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Minor | 2 | 4A | 94 BPM | ||
Ciacona in G Minor, Z. 730 | Henry Purcell, English Chamber Orchestra, Benjamin Britten | G Minor | 2 | 6A | 78 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Trio di Parma | A Minor | 0 | 8A | 146 BPM |