Louis Couperin, Mieneke van der Velden, Glen Wilson's 'Prélude non mesuré in F major' came out on December 5, 2006. The duration of Prélude non mesuré in F major is about 3 minutes long, at 3:08. Based on our data, "Prélude non mesuré in F major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Mieneke van der Velden's "Marais: Pieces de Viole" album is number 16 out of 22. Prélude non mesuré in F major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prélude non mesuré in F major by Louis Couperin, Mieneke van der Velden, Glen Wilson to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM | ||
Suite in D minor (Paris, 1699): Chaconne | Davitt Moroney | D♭ Minor | 5 | 12A | 98 BPM | ||
Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95 | Gottlieb Muffat, Mitzi Meyerson | A Major | 3 | 11B | 107 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: II. Allegro | Jean-François Dandrieu, Le Consort, Justin Taylor | A♭ Minor | 1 | 1A | 73 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM |