On January 1, 2009, the song "Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95" was released by Gottlieb Muffat, Mitzi Meyerson. The duration of Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95 is about 3 minutes long, at 3:12. Based on our data, "Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 11 out of 51. In terms of popularity, Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In D Major, TWV 40:202 For 4 Violins Without Basso Continuo: 4. Allegro | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | D♭ Major | 1 | 3B | 129 BPM | ||
10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande | François Francoeur, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | F♯ Major | 4 | 2B | 108 BPM | ||
Pieces de viole, Book 3: Suite in G Major: X. Muzette (from Book 4) | Marin Marais, Paolo Pandolfo, Guido Balestracci, Thomas Boysen, Dolores Costoyas, Mitzi Meyerson | F Major | 0 | 7B | 138 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Improvisation [Harpsichord] | Il Giardino Armonico | E♭ Minor | 1 | 2A | 131 BPM | ||
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM | ||
Forqueray, A & JB: Pièces de viole mises en pièces de clavecin, Suite No. 3: VI. La Eynaud. Fièrement | Antoine Forqueray, Jean-Baptiste Forqueray, Mitzi Meyerson | B Minor | 3 | 10A | 81 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Pieces de viole, Book 3: Suite in A Minor: V. Sarabande | Marin Marais, Paolo Pandolfo, Guido Balestracci, Thomas Boysen, Dolores Costoyas, Mitzi Meyerson | C Major | 3 | 8B | 118 BPM |