François Francoeur, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson made "10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande" available on June 22, 2018. The duration of 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 45 in Francœur: 10 Sonatas for Violin & Continuo, Book 1 by François Francoeur, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande by François Francoeur, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: III. Allegro poco | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B♭ Major | 5 | 6B | 79 BPM | ||
Harpsichord Concerto in B-Flat Major: I. Allegretto | Ernst Wilhelm Wolf, Philippe Grisvard, Ensemble Diderot, Johannes Pramsohler | A Major | 2 | 11B | 84 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Violin Sonata in C Minor, Op. 2, No. 7: IV. Gavotte | François Francoeur, Anais Chen, Maria Gonzalez, Daniel Rosin | B♭ Minor | 2 | 3A | 102 BPM |