On 1964, the song "Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams)" was released by Johann Sebastian Bach, John C. Williams. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, John Williams's "John Williams Plays Bach" album is number 12 out of 57. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams) is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams) by Johann Sebastian Bach, John C. Williams to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier: Book I, BWV 846-869: I. Prelude | Johann Sebastian Bach, Pierre-Laurent Aimard | B Minor | 0 | 10A | 95 BPM | ||
Cantos de España, Op. 232: No. 4, Córdoba (Arranged by John Williams for Guitar) | Isaac Albéniz, John Williams | D Minor | 1 | 7A | 116 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Las 4 Estaciones Porteñas: II. Verano Porteño (Arr. B. Benitez) | Astor Piazzolla, John Williams | A Major | 1 | 11B | 104 BPM | ||
Aranjuez, ma pensée | Joaquín Rodrigo, Piero Bonaguri | D Major | 1 | 10B | 92 BPM | ||
Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
E.Pujol: Tres Piezas Espanõlas - 3. Guajira | Emilio Pujol, Aniello Desiderio | D Major | 1 | 10B | 105 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM |