"Cantos de España, Op. 232: No. 4, Córdoba (Arranged by John Williams for Guitar)" by Isaac Albéniz, John Williams was released on 1981. Since Cantos de España, Op. 232: No. 4, Córdoba (Arranged by John Williams for Guitar) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Echoes of Spain by Isaac Albéniz, John Williams. In terms of popularity, Cantos de España, Op. 232: No. 4, Córdoba (Arranged by John Williams for Guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cantos de España, Op. 232: No. 4, Córdoba (Arranged by John Williams for Guitar) by Isaac Albéniz, John Williams is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alfonsina y el Mar - Zamba | Jorge Cardoso | E Minor | 1 | 9A | 127 BPM | ||
Valse, Op. 69: No. 2 | Frédéric Chopin, Roland Dyens, Tatyana Ryzhkova | B Minor | 2 | 10A | 171 BPM | ||
Variations on a Theme by Mozart, Op. 9 | Fernando Sor, Pepe Romero | E Major | 1 | 12B | 104 BPM | ||
Caprice No. 24, Op. 1: Tema - Quasi presto - Variazioni - Finale | Judicaël Perroy | A Minor | 1 | 8A | 90 BPM | ||
12 Tonadillas en estilo antiguo: La Maja de Goya | John Williams | G Major | 1 | 9B | 78 BPM | ||
The Troubadours Three: Sonnet | Stjepan Šulek, Ana Vidovic | C Major | 1 | 8B | 131 BPM | ||
Suite espanola No. 1, Op. 47 (arr. N. Kraft): Sevilla | Norbert Kraft, Isaac Albéniz | G Major | 1 | 9B | 118 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Concierto de Aranjuez: II. Adagio | Daniel Barenboim, John Williams, English Chamber Orchestra, James Brown | B Minor | 1 | 10A | 84 BPM | ||
Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM |