Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra made "Carmen (1997 - Remaster), Act I: Entr'acte" available on 1964. With Carmen (1997 - Remaster), Act I: Entr'acte being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. In terms of popularity, Carmen (1997 - Remaster), Act I: Entr'acte is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen (1997 - Remaster), Act I: Entr'acte by Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, WD 13, Act I: Le ciel est bleu! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Luc Bertin-Hugault | G Major | 2 | 9B | 101 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
Armida: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 100 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Carmen / Act 2: Vous avez quelque chose à nous dire...? | Georges Bizet, Jean-Noel Sissia, Robert Manuel, David Clair, Isabelle Karajan, Maria Laborit, Claudine Coster | B♭ Minor | 2 | 3A | 100 BPM | ||
L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Carmen / Act 1: Que chercez-vous, la belle? | Georges Bizet, Katia Ricciarelli, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E♭ Major | 0 | 5B | 84 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | ||
The Maid of Pskov: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 100 BPM |