Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra's ' "Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu" was released on its scheduled release date, July 8, 1999. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #25. Based on our statistics, Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu by Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Hungarian Dance No.8 in A minor - Orchestrated by R. Schollum | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A Minor | 1 | 8A | 138 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: II. March No. 2 in A Minor (Allegro molto) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | B Minor | 3 | 10A | 131 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 88 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Les Contes d'Hoffmann (The Tales of Hoffman): Scintille, diamant! | Jacques Offenbach, Samuel Ramey, Munich Radio Orchestra, Julius Rudel | D Major | 2 | 10B | 147 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 2 | 6B | 134 BPM | ||
Gaîté parisienne: Overture | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | D Major | 3 | 10B | 138 BPM | ||
Tchaikovsky: Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca (Allegro moderato e semplice) - 1986 Digital Remaster | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM |