"Symphony No. 7" by Allan Pettersson, Norrköping Symphony Orchestra, Leif Segerstam was released on June 1, 1994. Symphony No. 7 appears to be safe for all ages as it is not explicit. There are a total of 2 in the song's album "Pettersson: Symphonies Nos. 7 and 11". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Symphony No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7 by Allan Pettersson, Norrköping Symphony Orchestra, Leif Segerstam having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
Jeux vénitiens, Pt. 1 | Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu | F♯ Minor | 1 | 11A | 123 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": III. Molto vivace (Scored for String Orchestra) | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | F Major | 2 | 7B | 73 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy | C Major | 0 | 8B | 80 BPM |