Selena Ivanova's 'Synthesis' came out on November 14, 2023. The duration of Synthesis is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Synthesis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Underscore Piano". In this album, this song's track order is #8. In terms of popularity, Synthesis is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Synthesis by Selena Ivanova having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alvorada | Lah Albano, João Marcondes, Sonoras | A Major | 1 | 11B | 80 BPM | ||
Serenade: II. Aristophanes. Allegretto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | D♭ Major | 0 | 3B | 119 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: I. Allegro appassionato | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
ナナ(子守歌) | Manuel de Falla, Yoko Hasegawa | A Minor | 0 | 8A | 90 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM |