"Carmina Burana: Ave formosissima" by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas was released on 1975. The duration of Carmina Burana: Ave formosissima is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Carmina Burana: Ave formosissima's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #25. Carmina Burana: Ave formosissima is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Ave formosissima by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Carmina Burana: Dulcissime | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | G Minor | 0 | 6A | 131 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Carmina Burana: Circa mea pectora | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 4 | 10B | 108 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VIII. Ego sum abbas (I am the abbot) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 82 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das Ziel | Robert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon Halsey | B Minor | 0 | 10A | 74 BPM |