"Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom" by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White was released on July 27, 2009. Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 6 out of 8 in Bartók: Bluebeard's Castle by Béla Bartók, London Symphony Orchestra, Valery Gergiev, Elena Zhidkova, Willard White. Based on our statistics, Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 142 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
La damoiselle élue, L. 62: Beginning | Claude Debussy, London Symphony Orchestra, Claudio Abbado | D Minor | 0 | 7A | 72 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Symphony No. 8, Erster Teil: III. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 4 | 5B | 88 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Hymnus: "Veni, creator spiritus" | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 3 | 5B | 73 BPM | ||
Spartacus highlights (1993 Digital Remaster): Variation of Aegina | Aram Khachaturian, London Symphony Orchestra | F♯ Major | 3 | 2B | 79 BPM |