"Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto)" by Johann Sebastian Bach, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto) by Johann Sebastian Bach, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet | Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton | A♭ Major | 2 | 4B | 84 BPM | ||
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
I. Weinen, Klagen, Sorgen, Zagen BWV 12, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Trudy Van Der Wulp, Ruth Holton, Sytse Buwalda, Peter Frankenberg, Johann Sebastian Bach, Knut Schoch, Bas Ramselaar, Frank Wakelkamp, Susan Williams, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 74 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM | ||
Concerto No. 6 In D Major BWV1051 - Adagio Ma Non Troppo | Jordi Savall, Johann Sebastian Bach | D Major | 1 | 10B | 75 BPM | ||
Die erste Walpurgisnacht, Op. 60: Konnt ihr so verwegen handeln (Alto, Female Chorus) | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra, Annelies Burmeister, MDR Leipzig Radio Chorus | G Minor | 1 | 6A | 69 BPM |