III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet

Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton
Bach Cantatas (Complete) Part: 13
2:01 2006年12月20日
テンポ
84
キー
A♭ Major
キャメロットミュージックキー
4B

リンクを埋め込む

共有

III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet - Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton 情報

音響性
98%
ダンサビリティ
30%
エネルギー
20%
手段性
0%
活気
11%
ラウドネス
72%
話し言葉
4%
価数
8%
人気
ラウドネス
-17.0 dB

まとめ

"III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet" by Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton had its release date on December 20, 2006. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 20 in Bach Cantatas (Complete) Part: 13 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet テンポ

The tempo marking of III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet by Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet キー

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Handel: Organ Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: III. Allegro moderato by George Frideric Handel, Ton Koopman, Amsterdam Baroque OrchestraHandel: Organ Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: III. Allegro moderatoGeorge Frideric Handel, Ton Koopman, Amsterdam Baroque OrchestraD♭ Minor212A122 BPM
Trumpet Concerto in D Major, FWV L:D1: I. Allegro by Johann Friedrich Fasch, Alain De Rudder, Il GardellinoTrumpet Concerto in D Major, FWV L:D1: I. AllegroJohann Friedrich Fasch, Alain De Rudder, Il GardellinoD♭ Major33B92 BPM
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: II. Pt. 1 by Johann Jakob Froberger, Gustav AuzingerFantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: II. Pt. 1Johann Jakob Froberger, Gustav AuzingerD Major110B176 BPM
Overture in G Minor: IV. Rondeau by Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav LuksOverture in G Minor: IV. RondeauGiuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav LuksF♯ Minor211A80 BPM
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables by Jean-Baptiste Lully, Le Concert Tribuot, Laurent BeyhurstAtys, LWV 53: Act III, Scene 4 Entrée des songes agréablesJean-Baptiste Lully, Le Concert Tribuot, Laurent BeyhurstF♯ Major32B109 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 9 in E major, BWV 854 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 9 in E major, BWV 854Luc BeauséjourA♭ Major44B111 BPM
Passionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus) by Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxPassionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus)Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxF♯ Minor111A78 BPM
Magnificat: Sicut Erat in Principio by Nicola Porpora, San Francisco Girls ChorusMagnificat: Sicut Erat in PrincipioNicola Porpora, San Francisco Girls ChorusA♭ Minor11A0 BPM
Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 1. Andante by George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August WenzingerOrgan Concerto No.7 in B flat, Op.7 No.1 HWV 306: 1. AndanteGeorge Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August WenzingerD♭ Minor112A79 BPM
Prelude & Fugue in A Minor, WoO 9: I. Prelude by Johannes Brahms, Konstantin VolostnovPrelude & Fugue in A Minor, WoO 9: I. PreludeJohannes Brahms, Konstantin VolostnovB♭ Minor13A73 BPM
ISRC
NLN580536592
レコードレーベル
L-M Records/RCA Records