"III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet" by Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton had its release date on December 20, 2006. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 20 in Bach Cantatas (Complete) Part: 13 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet by Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Organ Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: III. Allegro moderato | George Frideric Handel, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Minor | 2 | 12A | 122 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: I. Allegro | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 3 | 3B | 92 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: II. Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Overture in G Minor: IV. Rondeau | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 80 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 9 in E major, BWV 854 | Luc Beauséjour | A♭ Major | 4 | 4B | 111 BPM | ||
Passionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 1 | 11A | 78 BPM | ||
Magnificat: Sicut Erat in Principio | Nicola Porpora, San Francisco Girls Chorus | A♭ Minor | 1 | 1A | 0 BPM | ||
Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 1. Andante | George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | D♭ Minor | 1 | 12A | 79 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM |