"Die erste Walpurgisnacht, Op. 60: Konnt ihr so verwegen handeln (Alto, Female Chorus)" by Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra, Annelies Burmeister, MDR Leipzig Radio Chorus was released on 1974. With Die erste Walpurgisnacht, Op. 60: Konnt ihr so verwegen handeln (Alto, Female Chorus) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Kurt Masur, MDR Leipzig Radio Chorus, Leipzig Gewandhaus Orchestra, Leipzig Radio Chorus, male section, Leipzig Radio Chorus, female section's "Mendelssohn Bartholdy: Die Erste Walpurgisnacht / Infelice / Ouverture zum Marchen von der schonen Melusine" album is number 4 out of 15. Die erste Walpurgisnacht, Op. 60: Konnt ihr so verwegen handeln (Alto, Female Chorus) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die erste Walpurgisnacht, Op. 60: Konnt ihr so verwegen handeln (Alto, Female Chorus) by Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra, Annelies Burmeister, MDR Leipzig Radio Chorus to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater: Stabat Mater: II. Cujus animam gementem | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | B♭ Minor | 3 | 3A | 184 BPM | ||
Christus am Olberge (The Mount of Olives), Op. 85: Chorus: Preiset ihn, ihr Engelchore | Ludwig van Beethoven, Maria Venuti, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 2 | 8B | 99 BPM | ||
Magnificat, RV 610: 8. Sicut locutus est | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Missa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | C Major | 1 | 8B | 100 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Christ lag in Todesbanden (Chorus) | Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D♭ Major | 2 | 3B | 176 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IV. Et misericordia | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
The Dream of Gerontius, Op. 38: No. 5, "Be Merciful, Be Gracious" | Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 128 BPM |