Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis's 'The Dream of Gerontius, Op. 38: No. 5, "Be Merciful, Be Gracious"' came out on August 8, 2006. The duration of The Dream of Gerontius, Op. 38: No. 5, "Be Merciful, Be Gracious" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. The Dream of Gerontius, Op. 38: No. 5, "Be Merciful, Be Gracious"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 28 in Elgar: The Dream of Gerontius by Edward Elgar, London Symphony Orchestra, Anne Sofie von Otter, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Dream of Gerontius, Op. 38: No. 5, "Be Merciful, Be Gracious"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Dream of Gerontius, Op. 38: No. 5, "Be Merciful, Be Gracious" by Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Salut d'amour, Op. 12 (Arr. Cello & Piano) | Edward Elgar, Lynn Harrell, Bruno Canino | D Major | 1 | 10B | 144 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 2 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 0 | 11B | 81 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM |