"Concerto for Piano and Orchestra in C Major: II. Larghetto" by Antonio Salieri, Orchestra del Conservatorio Cimarosa Avellino, Antonio Sinagra, Costantino Catena was released on June 23, 2017. Concerto for Piano and Orchestra in C Major: II. Larghetto is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Piano Concertos". In this album, this song's track order is #2. Based on our statistics, Concerto for Piano and Orchestra in C Major: II. Larghetto's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto for Piano and Orchestra in C Major: II. Larghetto by Antonio Salieri, Orchestra del Conservatorio Cimarosa Avellino, Antonio Sinagra, Costantino Catena having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Zigeunerweisen, Op. 20: III. Un poco piú lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 100 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 1 | 9B | 169 BPM | ||
Vocalise, Op. 34 No. 14 (Arr. for Violin and Piano) | Sergei Rachmaninoff, Lisa Batiashvili, Hélène Grimaud | E Minor | 0 | 9A | 130 BPM | ||
Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | E♭ Major | 0 | 5B | 85 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
String Quartet No. 1: 1. Romance | Sergei Rachmaninoff, Orava Quartet | C Major | 4 | 8B | 113 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: IV. Passepied | Claude Debussy, Jean-Efflam Bavouzet | C Minor | 0 | 5A | 109 BPM | ||
Keyboard Sonata in D Minor, K.141/L.422/P.271 | Domenico Scarlatti, Martha Argerich | D Minor | 3 | 7A | 156 BPM |