"Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile" by Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki was released on January 1, 2000. Since Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Farrenc: Symphonies Nos. 1 and 3 by Louise Farrenc, Johannes Goritzki. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile by Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto | Carl Ditters von Dittersdorf, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | F Major | 0 | 7B | 171 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Mozart: String Quartet No. 19 in C Major, Op. 10 No. 6, K. 465 "Dissonance": II. Andante cantabile | Wolfgang Amadeus Mozart, Quatuor Ébène | F Major | 1 | 7B | 85 BPM | ||
Piano Concerto No. 3 in D Major, Op. 50: II. Andante con moto | Dmitry Kabalevsky, Michael Korstick, North German Radio Symphony, Hannover, Alun Francis | D Major | 3 | 10B | 82 BPM | ||
Symphony No. 49 in F Minor, Hob. I:49 'La Passione': II. Allegro di molto | Joseph Haydn, Barbara Hannigan, Ludwig Orchestra | D Major | 0 | 10B | 138 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro Vivace | Wolfgang Amadeus Mozart, Johannes Goritzki, Neuss German Chamber Philharmonic | F Major | 1 | 7B | 79 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses | Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 76 BPM |