"Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto" by Carl Ditters von Dittersdorf, Budapest Failoni Chamber Orchestra, Hanspeter Gmür was released on October 18, 1995. Since Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Dittersdorf: Sinfonias On Ovid's Metamorphoses, Nos. 4 - 6 by Carl Ditters von Dittersdorf. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto by Carl Ditters von Dittersdorf, Budapest Failoni Chamber Orchestra, Hanspeter Gmür is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apres Une Reve | Gabriel Fauré, Nicola Benedetti | F Minor | 1 | 4A | 168 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Symphony No. 3 "The Metamorphosis of Actaeon into a Stag" in G Major: IX. Allegro | Carl Ditters von Dittersdorf, Württembergisches Kammerorchester Heilbronn, Case Scaglione | F Major | 2 | 7B | 95 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Adagio for cello | Carl Maria von Weber, Hanspeter Gmür, Nurnberger Symphoniker | D Major | 1 | 10B | 83 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM |