"Puccini's Manon Lescaut - Donna Non Vidi Mai" by Carlo Bergonzi was released on November 9, 2010. The duration of Puccini's Manon Lescaut - Donna Non Vidi Mai is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Puccini's Manon Lescaut - Donna Non Vidi Mai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carlo Bergonzi's "Italian Opera Classics" album is number 27 out of 40. On top of that, United States appears to be the country where this track was created. In terms of popularity, Puccini's Manon Lescaut - Donna Non Vidi Mai is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puccini's Manon Lescaut - Donna Non Vidi Mai by Carlo Bergonzi to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pourquoi fermer ton coeur | RENATO CAIRONE, Carlo Bergonzi, Vincent Scalera | B Major | 1 | 1B | 167 BPM | ||
La Bohème / Act 4: "C'è Mimì..." | Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 77 BPM | ||
Rigoletto / Act 2: Ella mi fu rapita! (Duca) | Giuseppe Verdi, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelik | B♭ Major | 1 | 6B | 88 BPM | ||
Musica proibita | Stanislao Gastaldon, Jonas Kaufmann, Asher Fisch | A Major | 1 | 11B | 168 BPM | ||
Pagliacci / Act II: "Versa il filtro ne la tazza sua!" | Ruggero Leoncavallo, Joan Carlyle, Ugo Benelli, Carlo Bergonzi, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 2 | 7B | 132 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" | Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle | C Major | 2 | 8B | 85 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
O primavera! - Voice | Pier Adolfo Tirindelli, Carlo Bergonzi | D Major | 1 | 10B | 86 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM |