"La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio"" by Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle was released on January 1, 2006. Since La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Mozart Album". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" by Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Recitativo - Giunse Al Fin Il Momento | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 63 BPM | ||
Davide penitente, K. 469: Aria: Lungi le cure ingrate (Soprano 2) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | B♭ Major | 0 | 6B | 68 BPM | ||
La Sonnambula / Act 1: Come per me sereno oggi rinacque il dì! | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 1 | 5B | 83 BPM | ||
Der Freischütz, J. 277 / Act 2: "Schelm! Halt fest!" | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Major | 2 | 12B | 96 BPM | ||
Le nozze di Figaro, K. 492, Atto II Scena 2: No. 12, Arietta "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, René Jacobs | B♭ Major | 1 | 6B | 107 BPM | ||
The Magic Flute, K. 620, Act I: Wie stark ist nicht dein Zauberton! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Major | 1 | 9B | 78 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 132 BPM | ||
Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben" | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 112 BPM |