"L'Egisto, Act III Scene 5: Celesti fulmini, onde vastissime (Egisto)" by Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Marc Mauillon was released on 2021. Since L'Egisto, Act III Scene 5: Celesti fulmini, onde vastissime (Egisto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 46 in Cavalli: L'Egisto by Francesco Cavalli, Le Poème Harmonique, Sophie Junker, Zachary Wilder, Ambroisine Bré, Vincent Dumestre, Marc Mauillon. Going off of the ISRC code of this track, we detected that the origin of this track is from France. L'Egisto, Act III Scene 5: Celesti fulmini, onde vastissime (Egisto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Egisto, Act III Scene 5: Celesti fulmini, onde vastissime (Egisto) by Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Marc Mauillon is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM | ||
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: Le Sabbat, "Se ninfa ai pianti" (Venere, delle Grazie) | Francesco Cavalli, Lucile Richardot, Violaine Le Chenadec, Amandine Trenc, Dagmar Saskova, Caroline, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Prothimia suavissima, Book 2: Sonata No. 11 | Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque | G Minor | 2 | 6A | 104 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Magnificat | Francesco Cavalli, Grace Davidson, Elin Manahan Thomas, Jeremy Budd, Mark Dobell, George Pooley, Jimmy Holliday, Harry Christophers, The Sixteen | G Major | 1 | 9B | 138 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM |