"Oboe Concerto in C Major on Themes of Pergolesi: I. Largo" by Anthony Camden, City of London Sinfonia, Nicholas Ward had its release date on November 19, 1996. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Oboe Concerto in C Major on Themes of Pergolesi: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward's "Italian Oboe Concertos, Vol. 1" album is number 15 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Oboe Concerto in C Major on Themes of Pergolesi: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto in C Major on Themes of Pergolesi: I. Largo by Anthony Camden, City of London Sinfonia, Nicholas Ward to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2 In D Major, G. 479: III. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | D Major | 0 | 10B | 142 BPM | ||
Concerto in F Major, S. 235: 5. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM | ||
Flute Concerto in G Major, QV 5:165: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 68 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 109 BPM |