"Concerto I in D Major: I. Grave - Allegro - Adagio" by Francesco Geminiani, Academy of Ancient Music, Andrew Manze was released on 1999. The duration of Concerto I in D Major: I. Grave - Allegro - Adagio is about 3 minutes long, at 3:03. Based on our data, "Concerto I in D Major: I. Grave - Allegro - Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Francesco Geminiani, Academy of Ancient Music, Andrew Manze's "Geminiani: Concerti grossi (after Corelli, Op.5)" album is number 1 out of 59. Concerto I in D Major: I. Grave - Allegro - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto I in D Major: I. Grave - Allegro - Adagio by Francesco Geminiani, Academy of Ancient Music, Andrew Manze to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 82 in E Minor: III. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 97 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: III. Tempo di minuetto | Johann Christoph Friedrich Bach, London Baroque | E Major | 1 | 12B | 111 BPM | ||
Concerto I in D Major: III. Largo | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | G Major | 0 | 9B | 137 BPM | ||
Concerto in F Major, S. 235: 3. Presto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 114 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM |