Caspar Da Salo Quartet made "String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto" available on 1991. The duration of String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto is about 3 minutes long, at 3:08. Based on our data, "String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 17 out of 23. String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto by Caspar Da Salo Quartet to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Alexis Weissenberg, Leonard Bernstein, Orchestre National De France | C Major | 3 | 8B | 88 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 1 | 5B | 157 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
Violin Concerto No.1 in D, Op.6: 2. Adagio | Niccolò Paganini, Gil Shaham, New York Philharmonic, Giuseppe Sinopoli | B Minor | 1 | 10A | 92 BPM | ||
Violin Concerto No.5 in A major, K. 219 : I. Allegro aperto | RR, Lithuanian Chamber Orchestra | A Major | 1 | 11B | 120 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": I. Adagio molto | Karoly Botvay | B Major | 0 | 1B | 177 BPM |