Sergei Prokofiev, Leonard Bernstein, New York Philharmonic's 'Peter and the Wolf, Op. 67 (Without Narration): Vivo - Andante molto - Vivo - Andante' came out on November 2, 2018. With Peter and the Wolf, Op. 67 (Without Narration): Vivo - Andante molto - Vivo - Andante being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #11. Based on our statistics, Peter and the Wolf, Op. 67 (Without Narration): Vivo - Andante molto - Vivo - Andante's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67 (Without Narration): Vivo - Andante molto - Vivo - Andante by Sergei Prokofiev, Leonard Bernstein, New York Philharmonic having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Adagio: Suddenly The Mandarin's Head Appears | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | E Major | 1 | 12B | 86 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | C Minor | 2 | 5A | 96 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Tannhauser, Introduction to Act III: Tannhauser's Pilgrimage | Richard Wagner, Slovak Philharmonic, Michael Halasz | E♭ Major | 0 | 5B | 131 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Public Merrymaking - Further Public Festivities | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | D Major | 2 | 10B | 116 BPM | ||
Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | D Minor | 3 | 7A | 180 BPM |