Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein's 'キーboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro' came out on 1957. Since キーboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 1 out of 18. The popularity of キーboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of キーboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein to be Presto (very, very fast) because the track has a tempo of 180 テンポ, a half-time of 90テンポ, and a double-time of 360 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern" | Johann Sebastian Bach, Otto Klemperer, Dietrich Fischer-Dieskau, Sir Peter Pears, Philharmonia Orchestra | E Minor | 2 | 9A | 77 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM |