André Campra, Jaël Azzaretti, William Christie made "Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2)" available on 2003. With Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. In terms of popularity, Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2) by André Campra, Jaël Azzaretti, William Christie is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
L'Europe galante: "Voyez à vos genoux" - "Lorsque Doris me parut belle" - "Que n'adresse-vous mieux" | André Campra, Les Arts Florissants, Victor Sicard, Emilie Renard, William Christie | C Minor | 2 | 5A | 113 BPM | ||
Missa S. Marcellini: III. Kyrie - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 172 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Salve Regina: No. 4., Eja ergo advocata nostra | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |