"Benedictus" by Natalia Sokolova had its release date on December 1, 2008. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Requiem". In this album, this song's track order is #12. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Benedictus by Natalia Sokolova having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Veronika Winter, Johanna Koslowsky, Kai Wessel, Markus Brutscher, Hans-Georg Wimmer, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A♭ Major | 0 | 4B | 130 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Charodeyka (The Enchantress): Act II | Pyotr Ilyich Tchaikovsky, Natalia Sokolova, Mikhail Kisselev, Veronika Borissenko, Georgi Nelepp, Alexei Korolev, Anna Matushina, Mikhail Skazin, Pavel Pontriagin, Pavel Korobkov, Varvara Gradova, Alexander Tikhonov, Serafim Sladkopevtzev, Levon Khachaturov, Alexei Usmanov, Gennady Troitzky, State Radio Chorus, Moscow Philharmonic Orchestra, Samuel Samosud | D Minor | 2 | 7A | 73 BPM | ||
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | F Major | 2 | 7B | 133 BPM | ||
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM |