"Charodeyka (The Enchantress): Act II" by Pyotr Ilyich Tchaikovsky, Natalia Sokolova, Mikhail Kisselev, Veronika Borissenko, Georgi Nelepp, Alexei Korolev, Anna Matushina, Mikhail Skazin, Pavel Pontriagin, Pavel Korobkov, Varvara Gradova, Alexander Tikhonov, Serafim Sladkopevtzev, Levon Khachaturov, Alexei Usmanov, Gennady Troitzky, State Radio Chorus, Moscow Philharmonic Orchestra, Samuel Samosud had its release date on September 1, 2010. This song appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Tchaikovsky: Charodeyka (The Enchantress) (1954)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Charodeyka (The Enchantress): Act II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Charodeyka (The Enchantress): Act II by Pyotr Ilyich Tchaikovsky, Natalia Sokolova, Mikhail Kisselev, Veronika Borissenko, Georgi Nelepp, Alexei Korolev, Anna Matushina, Mikhail Skazin, Pavel Pontriagin, Pavel Korobkov, Varvara Gradova, Alexander Tikhonov, Serafim Sladkopevtzev, Levon Khachaturov, Alexei Usmanov, Gennady Troitzky, State Radio Chorus, Moscow Philharmonic Orchestra, Samuel Samosud having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Swan Lake, Op.20, Act IV: 27. Dance of the Little Swans (Moderato) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Minor | 0 | 3A | 98 BPM |