"Madama Butterfly: Act I: Viene la sera... Bimba dagli occhi pieni di malia - 1995 Remastered" by Plácido Domingo, Gianandrea Gavazzeni, Katia Ricciarelli was released on September 24, 2009. Madama Butterfly: Act I: Viene la sera... Bimba dagli occhi pieni di malia - 1995 Remastered appears to be safe for all ages as it is not explicit. There are a total of 49 in the song's album "The Tenor". In this album, this song's track order is #13. The popularity of Madama Butterfly: Act I: Viene la sera... Bimba dagli occhi pieni di malia - 1995 Remastered is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly: Act I: Viene la sera... Bimba dagli occhi pieni di malia - 1995 Remastered by Plácido Domingo, Gianandrea Gavazzeni, Katia Ricciarelli having a テンポ of 174 with a half-time of 87 テンポ and a double-time of 348 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Carmen: Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | A Minor | 3 | 8A | 128 BPM | ||
Ochi tchorniye - Caminito - La vie en rose- - Live | Traditional, Juan De Dios Filiberto, Louiguy, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra Del Teatro Dell'Opera Di Roma, Zubin Mehta | D Minor | 3 | 7A | 50 BPM | ||
Tosca, Act 1: "Recondita armonia" | Zurab Sotkilava | F Major | 3 | 7B | 88 BPM | ||
El gato montés: Torero quiero ser (Rev. Roa García) - Live | Manuel Moreno Penella, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A Minor | 5 | 8A | 90 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
Guerrero, Jacinto: Los gavilanes, Act 1 Scene 1: No. 1b, Salida, "Mi aldea! Cuánto el alma se recrea" (Juan) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | B♭ Major | 2 | 6B | 97 BPM | ||
Torna a Surriento - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Minor | 3 | 2A | 84 BPM | ||
La Taberna del Puerto / Act 2: "No puede ser" | Pablo Sorozábal, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | F♯ Major | 6 | 2B | 89 BPM |