Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid's 'Guerrero, Jacinto: Los gavilanes, Act 1 Scene 1: No. 1b, Salida, "Mi aldea! Cuánto el alma se recrea" (Juan)' came out on 1988. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Romanzas de Zarzuelas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Guerrero, Jacinto: Los gavilanes, Act 1 Scene 1: No. 1b, Salida, "Mi aldea! Cuánto el alma se recrea" (Juan) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Guerrero, Jacinto: Los gavilanes, Act 1 Scene 1: No. 1b, Salida, "Mi aldea! Cuánto el alma se recrea" (Juan) by Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 1: "Che è ciò?" | Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Opera Chorus, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 84 BPM | ||
Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
Una Morena y una Rubia: "Seguidillas" | Coros Cantores De Madrid | B♭ Major | 4 | 6B | 92 BPM | ||
Los dos estamos queriendo | Manuel Alejandro, Beatriz Beigbeder, Plácido Domingo, David Towse | D♭ Major | 4 | 3B | 169 BPM | ||
Torna a Surriento - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Minor | 3 | 2A | 84 BPM | ||
Sous le ciel de Paris (Arr. Schifrin) - Live | Hubert Yves Adrien Giraud, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A Minor | 3 | 8A | 134 BPM | ||
Now While I Still Remember How - Voice | Archie Jordan, Plácido Domingo, Lee Holdridge | C Major | 4 | 8B | 111 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |