"Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?"" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?" is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 1 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Turangalîla Symphonie: 3. Turangalîla I | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Major | 2 | 10B | 176 BPM | ||
VI. Largo desolato | Alban Berg, Kronos Quartet | G Major | 0 | 9B | 86 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 88 BPM | ||
Mahler: Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | G Major | 2 | 9B | 128 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 6, Allegro | Felix Mendelssohn, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 129 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM |