"Piano Concerto No. 1, Op. 45: II. Andante (ma rubato)" by Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu was released on February 15, 1999. Since Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rautavaara: Cantus Arcticus / Piano Concerto No. 1 / Symphony No. 3". In this album, this song's track order is #5. In terms of popularity, Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) by Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 4, Op. 130, "Aurora Borealis": III. Fading away in the bright night of spring | Geirr Tveitt, Håvard Gimse, Royal Scottish National Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 90 BPM | ||
Cappélia, ou La Fille aux yeux d'émail Suite, Act I: No. 2, Valse. Moderato, | Léo Delibes, Neeme Järvi, Royal Scottish National Orchestra | D Major | 1 | 10B | 121 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Etydit (Etudes), Op. 42: Tritonukset (Tritones) | Einojuhani Rautavaara, Laura Mikkola | G Minor | 2 | 6A | 90 BPM | ||
Csárdás (Arr. For Violin, Cello, Piano & Orchestra) | The Ayoub Sisters, Paul Campbell, Royal Scottish National Orchestra | D Minor | 2 | 7A | 81 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM | ||
100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: No. 1: Velkomne med aera (Welcome with Honour) | Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset | E Minor | 0 | 9A | 82 BPM | ||
The Seasons, Op. 67: III. Variation I, Le Givre | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | F♯ Major | 1 | 2B | 94 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Númenor | Anthony Wilson, Royal Scottish National Orchestra, Robert Ziegler | C Major | 2 | 8B | 126 BPM |