"Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée)" by Christoph Willibald Gluck, Anne Sofie von Otter, John Eliot Gardiner, Orchestre de l'Opéra de Lyon had its release date on 1989. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christoph Willibald Gluck, Sir John Eliot Gardiner/Anne Sofie von Otter/Barbara Hendricks/Brigitte Fournier/Monteverdi Choir/Orchestre de l'Opéra National de Lyon, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon's "Gluck: Orphée et Euridice" album is number 14 out of 43. On top of that, France appears to be the country where this track was created. In terms of popularity, Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée) by Christoph Willibald Gluck, Anne Sofie von Otter, John Eliot Gardiner, Orchestre de l'Opéra de Lyon to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice! | Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn Davies | G Major | 0 | 9B | 84 BPM | ||
Carmen (1997 - Remaster), Act I: Carmen! sur tes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 84 BPM | ||
Ines di Castro: "Cari giorni" (Romanza der Ines) | Giuseppe Persiani, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | A♭ Minor | 1 | 1A | 113 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 0 | 3B | 92 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden" | Rundfunkorchester des Südwestfunks Baden-Baden | G Minor | 1 | 6A | 182 BPM |