Michel Blavet, Claudio Ferrarini, Accademia Farnese made "6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: I. Adagio" available on May 20, 2022. The duration of 6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: I. Adagio is about 3 minutes long, at 3:24. Based on our data, "6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: I. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michel Blavet, Claudio Ferrarini, Accademia Farnese's "Michel Blavet: 6 Sonatas pour flûte et continuo Op.2 Claudio Ferrarini flûte - Accademia Farnese" album is number 26 out of 30. On top of that, Italy appears to be the country where this track was created. 6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: I. Adagio is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: I. Adagio by Michel Blavet, Claudio Ferrarini, Accademia Farnese to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
Sonata No. 7 in F Major: III. Con Spirito | Leonardo Vinci, Claudio Ferrarini | C Major | 3 | 8B | 109 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Sonata No. 3 In E Minor, Op. 3: I. Vivace | Michel Blavet, Luc Beauséjour, Juan Manuel Quintana, Hélène Plouffe, Grégoire Jeay | E♭ Minor | 1 | 2A | 90 BPM | ||
Trio Sonata in G Minor, RV 63 (Transposed & adapted for treble recorder & violin by Martin Straeten): VIII. Allegro | Antonio Vivaldi, Ensemble C4 | E Major | 2 | 12B | 140 BPM | ||
6 Sonates meleese de pieces, Op. 2: IV. Sonata in G minor "La Lumagne”: I. Adagio | Michel Blavet, Claudio Ferrarini, Accademia Farnese | D Major | 1 | 10B | 63 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM |