"Ouverture No. 6 in G Minor: II. Largo" by Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini was released on September 16, 2022. The duration of Ouverture No. 6 in G Minor: II. Largo is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Ouverture No. 6 in G Minor: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Zefiro, Alfredo Bernardini's "Grand Tour a Venezia" album is number 2 out of 21. On top of that, France appears to be the country where this track was created. Ouverture No. 6 in G Minor: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ouverture No. 6 in G Minor: II. Largo by Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ouverture in C Major, BWV 119R - Reconstructed from the Opening Chorus of Cantata BWV 119 "Preise, Jerusalem, den Herren" | Johann Sebastian Bach, Ensemble Zefiro, Alfredo Bernardini | A♭ Major | 5 | 4B | 97 BPM | ||
Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: II. [Hornpipe] | George Frideric Handel, Ensemble Zefiro, Alfredo Bernardini | C Minor | 2 | 5A | 76 BPM | ||
Water Musick, Suite No. 1 in F Major, HWV 348: II. [Allegro] | George Frideric Handel, Ensemble Zefiro, Alfredo Bernardini | B Minor | 2 | 10A | 90 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
La corona d’Arianna: Recitativo. Mal tace, chi ben ama (Bacco, Venere, Arianna) | Johann Joseph Fux, Rafał Tomkiewicz, Monica Piccinini, Carlotta Colombo, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 104 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
La corona d’Arianna: Recitativo. Posso amarla? (Bacco, Venere) | Johann Joseph Fux, Rafał Tomkiewicz, Monica Piccinini, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 104 BPM | ||
Violin Concerto in A Major: II. Grave | Francesco Maria Veracini, Federico Guglielmo, Arte dell'Arco | F Minor | 1 | 4A | 67 BPM |