Johann Joseph Fux, Rafał Tomkiewicz, Monica Piccinini, Carlotta Colombo, Ensemble Zefiro, Alfredo Bernardini made "La corona d’Arianna: Recitativo. Mal tace, chi ben ama (Bacco, Venere, Arianna)" available on September 22, 2023. With La corona d’Arianna: Recitativo. Mal tace, chi ben ama (Bacco, Venere, Arianna) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 35 out of 42 in Fux: La corona d’Arianna by Johann Joseph Fux, Ensemble Zefiro, Alfredo Bernardini, Arnold Schoenberg Chor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La corona d’Arianna: Recitativo. Mal tace, chi ben ama (Bacco, Venere, Arianna) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La corona d’Arianna: Recitativo. Mal tace, chi ben ama (Bacco, Venere, Arianna) by Johann Joseph Fux, Rafał Tomkiewicz, Monica Piccinini, Carlotta Colombo, Ensemble Zefiro, Alfredo Bernardini is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Domine Deus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová | A♭ Major | 2 | 4B | 121 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
La canzone di Cecilia | Anonymous, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: III. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | E♭ Minor | 2 | 2A | 77 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM |