"Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida)" by Giuseppe Verdi, Franco Corelli, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) appears to be safe for all ages as it is not explicit. This song is part of Verdi - Aida by Giuseppe Verdi, Zubin Mehta, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Grace Bumbry, Franco Corelli, Mario Sereni. The song's track number on the album is #7 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) by Giuseppe Verdi, Franco Corelli, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) being at 72 テンポ, the half-time would be 36 テンポ with a double-time of 144 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Rigoletto / Act 3: "V'ho ingannato" | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 80 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 115 BPM | ||
Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version | Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | F♯ Major | 2 | 2B | 87 BPM | ||
La Traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 125 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |