"Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version" by Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli was released on 1967. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #5. Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version by Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La rondine, Act 2: "Bevo al tuo fresco sorriso" (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Puccini: Suor Angelica: "Chi è venuto stasera in parlatorio?" (La prima cercatrice, Suor Angelica, Suor Genovieffa, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 2 | 8B | 81 BPM | ||
Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | F Minor | 2 | 4A | 90 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 1 | 5B | 108 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM |