Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis made "Concerto in E flat "Dumbarton Oaks": 1. Tempo giusto" available on January 1, 1989. With this song being about 5 minutes long, at 4:38, "Concerto in E flat "Dumbarton Oaks": 1. Tempo giusto" by Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Stravinsky: Dumbarton Oaks; Danses Concertantes; Concerto in D for Strings". In this album, this song's track order is #1. The popularity of Concerto in E flat "Dumbarton Oaks": 1. Tempo giusto is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto in E flat "Dumbarton Oaks": 1. Tempo giusto by Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Clarinet and Piano: I. Grazioso | Leonard Bernstein, Jon Manasse, Jon Nakamatsu | E Minor | 0 | 9A | 102 BPM | ||
Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Nocturnes, L.91: I. Nuages | Claude Debussy, Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Piano Concerto No. 1 in F Major, K. 37: I. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F Major | 1 | 7B | 133 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Symphony No. 7 in C Major, Op. 105: Allegro molto moderato - Allegro moderato - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 81 BPM |