"Madama Butterfly / Act 1: L'Imperial Commissario" by Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Erna Maria Muhlberger, Mirella Freni, Eva Maria Hurdes, Martha Heigl, Wolfgang Schneider, Robert Kerns, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1974. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #8. Madama Butterfly / Act 1: L'Imperial Commissario is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 1: L'Imperial Commissario by Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Erna Maria Muhlberger, Mirella Freni, Eva Maria Hurdes, Martha Heigl, Wolfgang Schneider, Robert Kerns, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Carmen / Act 1: Que chercez-vous, la belle? | Georges Bizet, Katia Ricciarelli, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E♭ Major | 0 | 5B | 84 BPM | ||
Carmen / Act 3: Air: "Je dis que rien ne m'épouvante" | Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 81 BPM | ||
Das Land des Lächelns - Sung in Italian: "Tu che m'hai preso il cor" - Live | Franz Lehár, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | D♭ Major | 3 | 3B | 86 BPM | ||
Manon Lescaut: Act I: O soave fanciulla | Mirella Freni, A. Magiera, Luciano Pavarotti | C Major | 2 | 8B | 90 BPM | ||
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | F Minor | 2 | 4A | 90 BPM |